brewery

When The Virginia Beer Company’s management team made the executive decision on 3/16/2020 to close their taproom and shift entirely to curbside to-go operations, there was no precedent for how to plan for the future of the business. But one focus remained clear: do everything possible to keep every member of the Virginia Beer Co. […]

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Celebrate Winter Bonfire Bash Series, Lumberjack Competition, Frying Pan Toss, Return of Husky Hamburger, Flapjacks & Flannel and Much More Highlight 2021 Winter Events Central Virginia’s Stable Craft Brewing at Hermitage Hill, an authentic working farm brewery and winery, is pleased to announce its 2021 January through March special event schedule. Saturday’s will come alive […]

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“Champion Brewery” has a nice ring to it, and that’s just what Beer52 — a United Kingdom based craft beer cultivation and subscription organization that serves thousands of international brews annually throughout the UK — has named The Virginia Beer Company. There is no secret that Williamsburg’s Virginia Beer Co. loves sharing beers & cheers […]

The post Virginia Beer Co. Receives Top International Recognition appeared first on CraftBeer.com.

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When the Brewers Association released the results of their Brewery Operations Benchmarking Survey last year, the data confirmed that there’s still work to do when it comes to diversifying the industry. Based on the responses, 77 percent of breweries were owned by men and only 9 percent of breweries owned by people of color. More […]

The post Creating Safe Spaces for Women in the Beer Industry appeared first on CraftBeer.com.

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Solve all of yours (and your dog’s) holiday shopping needs with Stable Craft’s Holiday Gift Cards Central Virginia’s Stable Craft Brewing at Hermitage Hill, an authentic working farm brewery and winery, is making holiday shopping safer and more seamless this season, with the offering of its Stable Craft Holiday Gift cards.  In addition to being the perfect […]

The post Stable Craft Brewing’s 2020 Holiday Gift Guide For You And Your Four-Legged BFF appeared first on CraftBeer.com.

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The Virginia Beer Company (Williamsburg, VA) will mark the holiday season with the return of their seasonal Spiced Milk Stout, Evil Santa. “Since the first winter we were open back in 2016, Evil Santa has been one of our most sought after recipes,” reminisces Co-Founder Robby Willey. “The branding is playful, the time of year […]

The post Virginia Beer Co. Releases Four Evil Santa Spiced Milk Stout Variants appeared first on CraftBeer.com.

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Fresh Fruit From the Farm Ciders Plus a Special Oyster Fest & Fish Fry & Oyster Stout Release Highlight Weeklong Cider Celebration! Central Virginia’s Stable Craft Brewing at Hermitage Hill, an authentic working farm brewery and winery, will kick off Virginia Craft Cider week with a week-long cider celebration featuring an array of fresh from the […]

The post Stable Craft Brewing At Hermitage Hill Kicks Off Virginia Craft Cider Week With An Array Of Refreshing Ciders Starting November 13-22nd appeared first on CraftBeer.com.

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The #1 winter seasonal beer1 returns with a crisper and brighter recipe and festive inspiration for holidays spent at home BOSTON, MA, Nov. 9, 2020—Samuel Adams brewers recognize the winter season will feel different this year, with many Americans taking “home for the holidays” literally. To spread some holiday cheer when drinkers need it most, […]

The post Samuel Adams’ New Winter Lager Brings A Wintery Remix To Holiday Classics appeared first on CraftBeer.com.

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German Master Brewer Peter Bottcher and Catoctin Creek Distillery’s John Reed Shope Join Line-up for Entertaining Two Day Release Party! Central Virginia’s Stable Craft Brewing at Hermitage Hill, an authentic working farm brewery and winery, will celebrate the release of its popular Cavallo barrel-aged imperial stout on Friday and Saturday, November 6 & 7, 2020.  This […]

The post Special Cavallo Release Party Features Four Variants, Dessert Pairings And Two Special Guests On Friday & Saturday, November 6 & 7, 2020 At Stable Craft Brewing At Hermitage Hill appeared first on CraftBeer.com.

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Festive Day Features Special Veterans Day IPA Release with Yakima Chiefs Veterans Blend, Special Commemorative Glass, and Marine’s Cake-cutting Ceremony WAYNESBORO, VA – (November 2, 2020) – Central Virginia’s Stable Craft Brewing at Hermitage Hill, an authentic working farm brewery and winery, will honor the special men and women who serve our country, with a special Veteran’s […]

The post Stable Craft Brewing At Hermitage Hill Salutes Our Veterans With Special Veteran’s Day Celebration On Sunday, November 8 appeared first on CraftBeer.com.

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In August 2020, the federal Food & Drug Administration (FDA) finalized the definition and labeling requirements of gluten-free fermented and hydrolyzed foods (including beer and other alcoholic beverages).  The ruling provides a clear delineation between products that are truly gluten-free and products that are not and how product labels communicate those differences to consumers.  In […]

The post Gluten-Free Brewers Group Responds to FDA Final Rule on Gluten-Free Claims on Fermented Foods appeared first on CraftBeer.com.

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Private Igloos Offer Perfect Answer for Outdoor Winter Dining WAYNESBORO, VA – (October 21, 2020) –Starting this November, Central Virginia’s Stable Craft Brewery at Hermitage Hill, an authentic working farm brewery and winery, will once again offer its private igloos for outdoor dining at its best. Stable Craft’s heated igloos are available by advance reservations only […]

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WAYNESBORO, VA – (October 20, 2020) – Central Virginia’s Stable Craft Brewery at Hermitage Hill, an authentic working farm brewery and winery, was the site of a World Record record-shattering performance by Stephen Clarke, the World’s Fastest Pumpkin Carver on Saturday, October 17.  Clarke broke his Guinness World Record of 16.47 seconds for speed carving a […]

The post World’s Fastest Pumpkin Carver Shatters Guinness World Record For Speed Carving A Single Pumpkin At Stable Craft Brewing’s Fall Harvest Party appeared first on CraftBeer.com.

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272 medals awarded to 240 breweries in world’s most prestigious professional beer competition Boulder, Colo. • October 16, 2020 — The Brewers Association (BA) awarded 272 medals* to 240 breweries across the country during the 2020 Great American Beer Festival (GABF) competition awards ceremony. The best beers in 91 beer categories covering 170 different beer styles (including all subcategories) were awarded gold, silver, and bronze medals during a virtual ceremony hosted on The Brewing Network. Judges for the 34th edition of […]

The post Winners of 2020 Great American Beer Festival Competition Revealed During First-Ever Virtual Ceremony appeared first on CraftBeer.com.

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Fretboard Brewing Company (Blue Ash, OH) isn’t known for their collaborations with other breweries. Over the course of their 3 year history, they’ve partnered with musicians like Bootsy Collins and The Cliftones, to foundations like ArtsWave, and even a bread company (Klosterman Baking), but they’ve never released a product brewed in partnership with another brewery. […]

The post Fretboard Brewing and Branch & Bone Artisan Ales team up for “Dark Throne” Collaboration appeared first on CraftBeer.com.

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For us homebrewers that enter a competition sanctioned by the Beer Judge Certification Program (BJCP), the goal is clear – we want feedback on our brews from trained tasters. And, if we win an award, we want to strut. As homebrewers progress to professional brewing, little changes in regard to competition goals. Professional brewers still […]

The post The Untold Benefits of Award-Winning Beer appeared first on CraftBeer.com.

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World’s Fastest Pumpkin Carver Attempts New Guinness World Record, Pumpkin Drop, Grab the Oktoberfest Glass, Socially Distanced Stein Hoist and Many More Fun Fall Festivities   WAYNESBORO, VA – (October 5, 2020) – Central Virginia’s Stable Craft Brewery at Hermitage Hill, an authentic working farm brewery and winery, offers the perfect venue and party to celebrate […]

The post Experience Virginia’s Fall Foliage At Stable Craft Brewing’s Fall Harvest Party On Saturday October 17 appeared first on CraftBeer.com.

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OREGON CITY, Ore.––Sept. 29, 2020––While 2020 has led to closures and downsizing for many small businesses, Coin Toss Brewing is thrilled to announce an expansion. The Oregon City brewery and taproom, located at 14214 Fir St., Unit H, is taking over an adjacent suite in its building complex. The new space is approximately 1,500 square […]

The post Coin Toss Brewing Defies the Pandemic Odds, Announces Expansion of its Oregon City Brewery and Taproom appeared first on CraftBeer.com.

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In July 2018 I made a poster illustrating the connections between breweries. I've expanded and updated it a few times since then, both thanks to people who have commented with suggestions and because big breweries haven't stopped buying smaller breweries. Below is the most recent update. As always let me know if you see anything incorrect, but please include a source confirming it.

Higher resolution image - Prints are available from my web store.

The biggest change since my last update two months ago was the purchase of New Belgium (and Magnolia) by Kirin/Lion. Other big news included purchases by Legacy Breweries (Ninkasi's parent company) of Laurelwood, and Aspen in pursuit of buying 15 breweries by the end of 2020. AB InBev purchased the remainder of Craft Brew Alliance (Kona, Red Hook, Cisco, Widmer etc.) up from 31.5%.

I added some smaller ownership groups around the center box, both craft breweries who own other craft breweries, and private equity firms that own a brewery in their entirety. I've also tried to replace the bigger breweries outside the US with smaller breweries that would be more easily confused for independents.

As always my goal isn't to tell anyone what beer they should buy/drink, only to provide information. There are a wide variety of situations represented along the outside of the chart, and there is a big difference between a brewery owned by Duvel Moortgat and one owned by AB InBev. Personally I do my best to support small local breweries where the owner is personally involved. Then to independent regional breweries, then to independent national breweries, on to the private-equity-backed conglomerates, and finally those owned by big beer (whose interests, lobbying, and sales practices often hurt small breweries).

There are also a wide range of situations that I haven't found a way to represent on the chart. For example the breweries that are owned in part by private equity firms (Abita, Stone, Schlafly, Unita, Weyerbacher, and Lord Hobo).

A few common questions:

How did you choose which breweries are in the center box?
  • I tried to include a range of sizes and locations, focusing on my favorites, friends, and those that had been generous with their time. There are tens of thousands of breweries and not enough room for all of them.
Why is Sol under Heineken, isn't it owned by MillerCoors?
  • The poster shows ownership, MillerCoors has a 10-year distribution deal for Sol in the US. My goal is to show ownership, so I ignore contract brewing. This is different than the overlap between Groupo Modelo and Constellation where brands like Corona and Dos Equis are owned/brewed separately for the US.
What is that weird symbol above the Trappists?
  • It's the logo of the Holy See (Vatican). Certainly not the same as the corporate relationship depicted elsewhere, but it is certainly a connection between them and the other monastic orders of the Catholic church.

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Like it or not, online beer ratings have been one of the big drivers of craft beer over the last 20 years. As a brewery, you don't need to cater to them, but high scores can drive sales and excitement.

I spent a good deal of time on BeerAdvocate during my first few years of beer drinking (2005-2008). Reading other's reviews was beneficial for my palate and beer vocabulary. I reviewed a couple hundred beers, which gave me confidence to "review" my homebrew for this blog. However, there were aspects of trying to track down all the top beers that made it not entirely healthy. Whether it was fear of missing out on a new release, or the thrill of the catch outweighing the enjoyment of actually drinking the beer. I  find how many new beers there are now freeing, there is no way to try them all, so I don't try!

Untappd Logo

Now that Untappd is the dominant player I'll glance at reviews (especially for one of our new releases), but I don't rate. It's rare to see a review that has much insight into the beer. Even the negative ones are rarely constructive. As an aside, I find it a bit weird when people in the local beer industry rate our offerings. Generally they are kind, but it just seems strange to publicly review "competing" products.

For four or five years I maintained a spreadsheet to track the beers I drank and those I wanted to try. I weighted the beers not just on their average BeerAdvocate score, but on the score relative to their style. That's to say I was more interested in trying a Czech Pilsner rated 4.2 more than a DIPA at 4.3 because Pilsners generally have lower scores. If all you drink are the top rated beers, you'll be drinking mostly the same handful of styles from a small selection of breweries. Why is that though?

My homemade beer ranking spreadsheet

Whether it is the BeerAvocate Top 100, Rate Beer's Top 50, and Untappd's Top Beers they all show a similar bias towards strong adjunct stouts, DIPAs, and fruited sours. I don't think the collective beer rater score aligns with what the average beer drinker enjoys the most or drinks regularly. It is a result of a collection of factors that are inherent to the sort of hedonistic rating system.

So what makes beers and breweries score well?

Big/Accessible Flavors

People love assertive flavors. Once you've tried a few hundred (or thousand) beers, it is difficult to get a "wow" response from malt, hops, and yeast. This is especially true in a small sample or in close proximity to other beers (e.g., tasting flight, bottle share, festival). So many of the top beers don't taste like "beer" they taste like maple, coconut, bourbon, chocolate, coffee, cherries etc. If you say there is a flavor in the beer everyone wants to taste it... looking at reviews for our Vanillafort, it is amazing how divergent the experiences are. Despite a (to my palate) huge vanilla flavor (one bean per 5 gallons), some people don't taste it.

Vanillafort and vanilla beans

Sweetness is naturally pleasant. It's a flavor our palates evolved to prefer over sour/bitter because it is a sign of safe calories. That said, too much can also make a beer less drinkable. I enjoy samples of pastry stouts, but most of them don't call for a second pour. Balance between sweet-bitter or sweet-sour makes a beer that calls for another sip, and a second pour.

Even the most popular IPAs have gone from dry/bitter to sweet/fruity. They are beers that are less of an acquired taste. More enjoyable to a wider spectrum of drinkers. I'm amazed how many of the contractors, delivery drivers, and other non-beer nerds who visit the brewery mention that they are now into IPAs.

If you want a high brewery average, one approach is simply to not brew styles that have low average ratings. That said, for tap room sales it can really help to have at least one "accessible" beer on the menu. For us that has always been a low-bitterness wheat beer with a little yeast character, and a fruity hop aroma. Their scores drag our average down, but it is worth it for us.

Exclusivity

The easier a beer is to obtain, the more people will try it. The problem is that you don't want everyone rating your beer. To get high scores it helps to apply a pressure that causes only people who are excited about the beer to drink (and rate it). This can take a variety of forms, but the easiest is a small production paired with a high price-point and limited distribution. You can make the world's best sour beer, but if it is on the shelf for $3 a bottle at 100 liquor stores you'll get plenty of people sampling it that hate sour beers. Even with our relatively limited availability we get reviews like "My favorite sour beer ever!" 1.5 stars... The problem with averages is that a handful of really low scores have a big impact.

I'll be interested to see how our club-exclusive bottles of sour beer rate compared to the ones available to the general public. The people who joined self-identified as fans of ours and sour beers. My old homebrewing buddy Michael Thorpe has used clubs to huge success at Afterthought Brewing (around #20 on Untappd's Top Rated Breweries). In addition to directing his limited volume towards the right consumers, clubs allow him to brew the sorts of weird/esoteric (delicious) beers that might not work on a general audience (gin barrels, buckwheat, dandelions, paw paw etc.).

Jeff pitching Afterthought dregs


As noted above some styles have higher average reviews than others. Simply not brewing low-rated styles goes a long way towards ensuring a high overall brewery average. Anytime I feel like one of our beers is underappreciated, I go look at the sub-4 average of Hill Farmstead Mary, one of my favorite beers. Afterthought recently announced a new non-sour brand, which will prevent beer styles with lower averages from "dragging down" the average for Afterthought.

I remember there being debate over the minimum serving size for a review on BeerAdvocate. I think a few ounces of a maple-bacon-bourbon imperial stout is plenty. However for session beers, can you really judge a beer that is intended to be consumed in quantity based on a sip or two? We don't do sample flights at Sapwood Cellars. We sell half-pours for half the price of full pours. Not having a flight reduces people ordering beers they won't enjoy just to fill out a paddle. It also means that more people will give a beer a real chance, drinking 7 oz gives more time for your palate to adjust and for you to get a better feel for the balance and drinkability. What kills me is seeing people review one of our sessions beers based on a free "taste."

Another option is physical distance. Most trekking to Casey, De Garde, or Hill Farmstead are excited to be going there and ready to be impressed. It helps that all three brew world-class sour beers, but I'm not sure the ratings would be quite as good if they were located in an easily-accessible urban center.

The trick to getting to the Top Beer lists is that you need a lot of reviews to bring the weighted average up close to the average review. So having a barrier, but still brewing enough beer and being a big enough draw to get tens of thousands of check-ins and ratings. Organic growth helps, starting small, and generating enough excitement to bring people from far and wide. Lines (like those at Tree House) then help to keep up the exclusivity, not many people who hate hazy IPAs are going to wait in line for an hour to buy the new release - unless it is to trade.

My only visit to Tree House brewing

Shelf Stability/Control 

Many of the best rated beers are bulletproof. Big stouts and sours last well even when not handled or stored properly. This means that even someone drinking a bottle months or years after release is mostly assured a good experience. Most other styles really don't store well and are at their best fresh.

Conversely, hazy IPAs are one of the most delicate styles. I think it's funny that some brewers talk about hiding flaws in a NEIPA. While you sure don't need to have perfect fermentation control to make a great hop-bomb, they are not forgiving at all when it comes to packaging and oxygen pick-up. That's partly the reason that the best regarded brewers of the style retail most of the canned product themselves. Alchemist, Trillium, Tree House, Tired Hands, Hill Farmstead, Aslin, Over Half etc. all focus on direct-to-consumer sales. That ensures the beer doesn't sit on a truck or shelf for a large amount of time before a consumer gets it. Consumers seem to be more aware than they once were (especially for these beers) that freshness matters.

Trillium, Aslin, and Alchemist

Of course the margins are best when selling direct too, so any brewery that is able to sell cases out the door will. It can turn into a positive feedback loop, where the beer is purchased/consumed fresh which makes the beer drinker more likely to return. This worked well for Russian River, not bottling Pliny the Elder until there was enough demand that it won't sit on the shelf for more than a week.

Sure the actual packaging process (limiting dissolved oxygen) is important. But generally an OK job on a two-week-old can will win out over a great job on a two-month old can.

The ultimate is to have people drink draft at your brewery. That way you can control the freshness, serving temperature, glassware, atmosphere etc. That said, I notice the scores for our beers in growlers are usually higher than draft. I suspect that this is about self-selection, people who enjoyed the beer on draft are more likely to take a growler home and rate it well. It might also be a way for people to appear grateful to someone who brought a beer for them to try.

Reputation

This is one area where blind-judged beer competitions have a clear edge over general consumer ratings. When you know what you're drinking, that knowledge will change your perception. Partly it is subconscious, you give a break to a brewery that makes good beer. Or after a lot of effort to procure a bottle you don't want to feel like you wasted money/time. It can be more overt. I've had friends tell me that they'll skip entering a rating for our beer if it would be too low. I remember boosting the score of the first bottle of Cantillon St. Lamvinus I drank, it was so sour... but I didn't want to be that 22 year old who panned what people consider to be one of the best beers in the world.

I could also be cynical, but I can imagine someone buying a case of a new beer to trade and wanting to make sure they get good "value" by helping the score for the beer. Might be doubly true for a one-off beer with aging potential!

Sapwood Cellars has done pretty well in our first year. Out of more than 100 breweries in Maryland, we have the third-highest average score (4.06) on Untappd. That isn't even close to meaning that our beer is "better" than anyone below us though. In addition to being solid brewers, we're helped by our selection of styles (mostly IPAs and sours) and by selling almost all of our beer on premise. Hopefully that feeds a good reputation, which further drives scores as we continue to hone our process.

Rum, Apple, Apple tripel



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Since 2008 my friend Alex and I have been brewing dark funky saisons. Each year we come up with a new concept, usually involving dried fruit and/or spices. We've been a bit lax the last couple years, the ninth iteration was brewed a year ago, and neither of us has bottled our share yet.

For my birthday a couple weeks ago, Alex came over to the brewery and we opened bottles of all the versions (including a few variants). I shot a video of our discussion, enjoy!




2009 Funky Dark Saison with Black Cardamom

2010 Fig Honey Anise Dark Saison

2011 American Farmhouse Currant Dark Saison

2012 Dark Saison with Quince Paste

2013 Cranberry Dark Saison

2014 Dark Saison Etrog

2016 Dark Saison Date and Pomegranate


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The excitement over hazy/NE IPA is the best thing that has happened for local breweries in a long time. They are expensive to brew, difficult to package, a nightmare to distribute long distances, and get beer drinkers excited! When we put a juicy Double IPA on tap it flies. Our recent 7-barrel-yield of Snip Snap lasted less than three days, while an IPA might last three weeks, and a pale ale five. Having a beer that draws increases growler sales, and helps sell all of our other beers as people end up trying other similar beers when they come in.

Snip Snap DIPA

Here is a graph of the scores of 13 of our hoppy beers (pale ales, IPAs, and DIPAs) showing the Untappd score compared to the ABV. The formula for the trend line is y = 3.2008+.1392*x. That suggests if we brewed a 0% ABV hoppy beer it would score a 3.20 and to get a score of 5 would require 14.31% ABV. The R-squared value of the correlation is .71, so the most important factor in the consumer's opinion of our hoppy beers is strength (granted that typically comes with a higher dry hopping rate, sweetness etc.).

Impact of ABV vs. Untappd Score.

Driving business to your tasting room is job #1 for a small brewery because that is where the profit is highest. When you buy a beer at a bar or restaurant, most of the money goes to them rather than the brewery. While a ½ bbl keg of a pale ale might sell to a bar for $150-175 (a portion of which might go to a distributor), at even $5 pint the bar makes $620 in revenue. At our scale, it is almost impossible to make a profit only  selling beer at wholesale. It requires a tight reign on expenses with a premium price point, not to mention low overhead.

It is no coincidence that local brewery booms seem to follow when a state or city allows production breweries to serve/retail their own beer. In the case of Maryland this has created backlash from distributors, and a lesser extent bars and liquor stores who see more consumers cutting them out.

Sapwood Cellars Holiday Party

Ingredient Cost

We aren’t doing a great job controlling ingredient costs. We don’t reuse our yeast nearly as much as we "should" (3-4 batches per pitch), we pay as much as $35/lb for hops that are difficult to get on the spot market, we buy our malt pre-milled by the bag, we use expensive “real” ingredients for our variants (and usually don’t up-charge over the base beers) etc. That said, having a tasting room that is busy covers all of those sins.

Great Western Full Pint Malt

10 bbls – Pillowfort
$484 – 2-row
$137 – Malted Oats
$40 – Chit Malt
$50 – Milling Fee
$11 – Glucose
$.80 - Whirlfloc
$.06 - Zinc Sulfate Heptahydrate
$1 – Calcium Chloride
$1 – Gypsum
$.25 – Epsom Salt
$2.00 – 350 ml 75% Phosphoric Acid
$125 – Liquid yeast
$150 – Dry yeast
$77 – Columbus
$99 – Centennial
$396 – Citra
$264 – Azacca
~$100 – CO2/Gas/Electric/Chemicals
 ($1950/batch - $1.11/pour)

Let’s say we put more effort into yeast management and that gives us confidence to reuse the yeast for 20 batches. Bringing the proportional cost down from $125 to $25 per batch. The net savings to us would be $.05 per pour. What if we moved to a silo for 2-row, and cut our base malt cost down to a third and added a mill? $.14 per pour. That would make Pillowfort ~$.92/pour. Granted these recurring costs add up over the course of a year and both might yield improvements to the consistency and quality of our beer. But selling just one 1/2 bbl keg to a bar, even charging $250, loses us more money per batch then we’d save from making those moves. It also speaks to how important yield on these heavily dry-hopped beers is.

Most of our IPAs and DIPAs work out to $100-150 per ½ bbl keg. Self-distributing these beers for $200-250 there would be no way to make enough to cover rent, pay ourselves, and fund expansion. However, being a retailer of our own beers means we get $800-900 for that same keg sold by the glass and growler. It makes sense for us to charge a reasonable price ($7-8 for a 14 oz pour in a 17 oz glass) and have consumers return rather than charge a dollar or two more and end up having to self-distribute kegs (with the added effort).

When we do send kegs out, we try to get as much of a push out of it as we can (fests, tap-takeovers, beer dinners etc.). We don't pay for any traditional advertising, but we view the "losses" from self-distributing as a form of marketing. That also means not always sending beer to the same bars, as we want people to feel like they have to come to us to try our beers regularly.

Beer Festival

Most bars use a flat percentage markup to price their draft. If a beer costs twice as much for them to purchase, they’ll charge twice as much to the consumer. That means that they’ll make a much larger dollar-per-ounce profit on more expensive beers. The same isn’t true at most breweries, an IPA with Nelson Sauvin or Galaxy is easily twice as expensive as a session wheat beer (especially considering the lower yield with high dry-hop rates), but we don’t double the price. Still, charging $7 for IPA and $6 for the session wheat makes the IPA more profitable per pour. When you visit a brewery and buy beer, you’re allowing them to spend more money on the ingredients and make better beer. Not to mention that the brewery will care more about their beer and have better control over the product.

Overhead

After ingredient cost, our next biggest expense is rent. Scott and I debated where to open and toured spaces with a wide range of looks and costs. While a beautiful rustic plot with room for outdoor events and a small orchard was appealing… either running on a septic or paying hundreds of thousands of dollars for a municipal sewer connection was not. Conversely, opening in a vibrant downtown with plenty of foot traffic would have meant easier retail sales, but would have tripled our rent. Brewing is a space-intensive manufacturing business (especially with barrel aging), it is difficult for me to justify paying $30+ sq ft for the parts of the business that aren’t customer facing.

Lease Signing Day

If we are able to brew enough to outstrip tasting room demand, we’ll look into opening a small taproom someplace other than an industrial park. For the time being, our location is close enough to residential for the tasting room and inexpensive enough for 4,000 sq ft of production. Luckily the power of Google Maps, Untappd, and social media has been enough for us to draw people in.

In addition to the ability to sell beer by the glass, a tasting room opens up the way for merchandise sales, private events, packaged beer, and even food sales (working on that now). It has been essential for us to have a space and offerings that attract customers, even those who aren’t beer nerds. A fantastic staff, and enough of them working for short waits also improves the customer experience.

Salaries are the third big expense. Scott and I have done 100% of the brewing, tank cleaning, kegging, and keg washing up to this point. Financially speaking, our labor has been free, but we certainly could have kept our day jobs and paid less-per hour than our lost wages to hire brewers and cellar-people. That said, it didn’t seem right to trust something we’d worked so hard for to other people. As I learned from consulting, the people who are physically there have the biggest effect on the results. We’ll be looking to hire someone in the brewhouse soon, but we’re still trying to figure out what the role will be (cleaning and cellar duties, or someone who already has the skill-set to be a lead brewer eventually). We were willing to pay for front-of-house, as that is where we didn’t have experience (or the time to learn).

Other Income Streams

I posted about Brewery Clubs a few months ago. As a brewery that didn’t take on outside loans or investors, the extra money we brought in from club sales was essential. It gave us the breathing room to buy more expensive equipment, ingredients, not to mentions barrels for beers we won’t sell for months or years, and dump most of a batch that we didn’t love. Padding in the bank account helped with our sleep those first couple months too.

We’re now “paying” some of that money back. We made it through the club holiday events, for which we created 16 sixtels of variants that we didn’t sell a drop of. Not to mention paid employees to work (and at $15 an hour as tipping was light without tabs). Most of that cost was in our time, but we’ll continue to incur costs as we give bottles, decanter baskets (below), and events that club members paid for last year. Not only do we want to ensure that customers (and many friends) are happy they joined, we’d like to over-deliver so many consider re-upping for 2020!

Decanter Baskets

The rest of this year our biggest focus will be on packaging. Direct sales of canned and bottled beer should give us the chance to increase total revenue, but it will also lower our per-ounce revenue. While many people are willing to pay $8 for a 14 oz pour of DIPA... $5 for a 16 oz can of the same DIPA is about the top of the market. Cans have higher costs associated with them as well, both in terms of labor and materials (especially when you don't own a canning line). That really slims down the margins, and will dictate which beers are more likely to be canned (e.g., Pillowfort with Azacca rather than Snip Snap with Galaxy). The most important thing for us will be avoiding turning draft sales into can sales. Ideally cans are an add-on to tabs or an additional trip for a release rather than a replacement for draft consumption and growlers.

Shared Kingdom at Black Flag

What makes sense for a brewery will depend on the types of beer they brew and their goals as a company. If you want to be a large production brewery, it may make sense to start fighting for draft accounts early. We don’t have any resources dedicated to outside sales, in fact we turn down most offers to put our beer on tap. We’d rather have an excess of demand, and be in strong position rather than fight for a limited number of tap handles with an ever-increasing number of breweries.

Having the huge catalog of homebrew recipes between the two of us has been a big advantage too. On Saturday we tapped a scaled-up version of Atomic Apricot. The price difference on the apricot puree was particularly stark, $1.71 per pound at the commercial scale vs. $7.84 for the same product (Oregon Fruit/Vintners Harvest). I haven't been doing much homebrewing or test batch brewing so most of my social media posting has moved to the Sapwood Cellars Facebook and Twitter accounts (Scott does Instagram because I usually avoid posting from my phone).

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